The works of Thomas Freiler optically relate to medial and theoretical aspects of photography. It is a matter of trials and experiments. Photographs about photography, about perception, reality and construction. Topic is the photography.

Different camera-systems – from minimal picture to large format – are in use, whereas he focuses for years on the construction of cameras or on the adaption of cameras for specific productions of pictures, productions of pictures, that could not be realised with conventional devices. The idea of the picture requires the device, acquisition technique and processing and finally the way of presentation. That means: central point is the adequate application of the resources for the particular work.