Opening PERFECT BODY 13. Mai, 5pm

Friday, 13. May 2022 - 17:00 to 22:00


13/05/2022 to 29/07/2022
[esc] medien kunst labor
  • Ausstellung

In keeping with the ideas and promises of Futurism, Marinetti still envisages predominantly positive things when he writes about the technical possibilities of bodily extensions and expansions. Today, it is above all the media productions on internet platforms that, in the course of obsessive optimisation efforts and permanent (self-)measurements, blind us to the status change of the body to object, to capital.

We train, repair, rehabilitate, model, beautify and mechanise our bodies through cosmetics, fitness programmes, supplements and medicines, surgical interventions, prostheses, implants, computer-brain interfaces and other technical enhancements. The effort and the results are constantly being recorded by a wide variety of programmes and applications, and the data is made readily available to the data-processing industries. Under their influence, the pressure to invest in our "body capital" in a self-responsible way is increasing, non-compliance is met with sanctions. The interventions have long since also affected our cognition and our emotion. Michel Foucault's finding about the reciprocal relationship between the usefulness and compliance of the body in a politics of constraints is being put into practice today as corporate politics: the human body enters into a machinery of exploitation that penetrates, dissects and reassembles it.

We should be aware of who is pursuing what interests and who is reaping the greatest profits from all the beautiful and new possibilities of optimising and perfecting the body when the view of the changes in our body, our thoughts and emotions is softened by the filters of fascination and erotic attraction.

Zum Projekt: 

  • ©esc-medien-kunst-labor_PERFECT BODY_The Alternative Limb Project_Cuckoo_Foto:Martin-Gross_2
  • ©esc-medien-kunst-labor_PERFECT BODY_The Alternative Limb Project_Cuckoo_Foto:Martin-Gross_3
  • ©esc-medien-kunst-labor_PERFECT BODY_Foto:Martin-Gross_1
  • ©esc-medien-kunst-labor_PERFECT BODY_Reni Hofmüller_Ilse Weber_Foto:Martin-Gross_1
  • ©esc-medien-kunst-labor_PERFECT BODY_Foto:Martin-Gross_5
  • ©esc-medien-kunst-labor_PERFECT BODY_Reni Hofmüller_Foto:Martin-Gross_1
  • ©esc-medien-kunst-labor_PERFECT BODY_Reni Hofmüller_Foto:Martin-Gross_2
  • ©esc-medien-kunst-labor_PERFECT BODY_Foto:Martin-Gross
  • ©esc-medien-kunst-labor_PERFECT BODY_Vitoria Cribb_ilusao_Foto:Martin-Gross_3
  • ©esc-medien-kunst-labor_PERFECT BODY_Coralie Vogelaar_Infinite Posture Dataset_Foto:Martin-Gross_3
  • ©esc-medien-kunst-labor_PERFECT BODY_Coralie Vogelaar_Infinite Posture Dataset_Foto:Martin-Gross_2
  • ©esc-medien-kunst-labor_PERFECT BODY_Coralie Vogelaar_Infinite Posture Dataset_Foto:Martin-Gross_4
  • ©esc-medien-kunst-labor_PERFECT BODY_Nicolas Montgermont_Nicolas Maigret_Internet EEG_Foto:Martin-Gross_4
  • ©esc-medien-kunst-labor_PERFECT BODY_Amy Karle_REGENERATIVE RELIQUARY_Foto:Martin-Gross_4
  • ©esc-medien-kunst-labor_PERFECT BODY_Amy Karle_REGENERATIVE RELIQUARY_Foto:Martin-Gross_2
  • ©esc-medien-kunst-labor_PERFECT BODY_Amy Karle_REGENERATIVE RELIQUARY_Foto:Martin-Gross_3
  • ©esc-medien-kunst-labor_PERFECT BODY_Anthony Antonellis_Net Art Implant_Foto:Martin-Gross_3